August 28, 2024 – May 11, 2025
Re-Imagining Return to the Marshes
Tamara Abdul Hadi
In the Instructional Centre Vitrines
As a child growing up in the Iraqi diaspora, Tamara Abdul Hadi’s visual imagination of Iraq was largely influenced by books in her family’s home library. One of these books was Return to the Marshes, a documentation of the Southern Iraqi marshlands by British writer and photographer duo, Gavin Young and Nik Wheeler, published in 1977. The Marshes, or Al Ahwar in Arabic, is a wetland area located between the Tigris and Euphrates Rivers in what was once the centre of ancient Mesopotamia. As few photographs of the Marshes were published at that time, images from Young and Wheeler’s book circulated widely, and continue to do so to this day.
Abdul Hadi’s ongoing project Re-Imagining Return to the Marshes researches the genesis and proliferation of imperial images of the Southern Iraqi Marshes. She is visiting and photographing the marshlands anew, capturing the contemporary environment, where the local inhabitants, the Ahwaris, still follow the same way of life: living by the land, raising buffalo, and building homes using native plants. Creating digital interventions that layer new meaning atop Young and Wheeler’s original pages, Abdul Hadi’s project advances a decolonial visuality that speaks to current, transdisciplinary debates about environmental transformations in the wake of modern colonial projects of statecraft, industrialization, and urbanization.
About the Artist
Tamara Abdul Hadi is an Iraqi photographer whose work is concerned with the historic and contemporary representation of her own culture, in its diversity. Along with being a photographer, Abdul Hadi is an educator who has taught in Palestine, Egypt, Iraq, Lebanon, the UAE, Kuwait, Tunisia, and Canada. Her work has been published extensively in mainstream media, though she now prefers to work for more independent entities. Her photography and commentary focus on the dispossessed and marginalized, the underside of Orientalist representations, the underground of settler societies, and the changing social and environmental landscapes of the Middle East. Her photographs have been exhibited worldwide, and her debut monograph Picture of an Arab Man was published in 2022.
Abdul Hadi is the 2024-2025 Jackman Humanities Institute Artist-in-Residence, a partnership between the Jackman Humanities Institute, and the Department of Historical & Cultural Studies, Department of Arts, Culture & Media, and Doris McCarthy Gallery, U of T Scarborough.
A special thank you to Roï Saade for his exhibition design support.